Sextreme Fest 2017
Lords Of Acid
Combichrist, Christian Death, En Esch
124 Market Place
Baltimore, Maryland, 21202
Doors 6:00 PM / Show 7:30 PM
This event is all ages
Watch & Listen
Lords Of Acid
Lords of Acid, the legendary Belgian dance-industrial hybrid fronted by acid-house wizard Praga Khan, return with the act's first release in a decade coming this fall. In advance of the upcoming album, LOA presents the sleazy EP Little Mighty Rabbit. Chock full of LOA’s patented brand of rocking electro-sex, the EP features three all new songs and remixes from KMFDM, tweaker, Christopher Lawrence, DJ Micro, AK1200, and more!
"It's beyond my personal demons, and extremely honest," says LaPlegua of the fifth Combichrist album Making Monsters. With five albums, thousands of shows, and four full months in Europe touring with Rammstein (in front of hundreds of thousands of people), Combichrist has become a purely visceral creature, driven by instinct and emotion; stripped of all pretension. Its urgency - most evident in the raw and uncompromising new album – is fueled by expressions of lust, anger, pain and hate.
Presenting a foreboding soundscape, the album kicks off with a hauntingly atmospheric instrumental "Declamation," setting the tone for what is to follow: dark, stabbing synths; heavy, robotic beats; and swarming, buzz saw-style guitar sounds. Songs such as "Follow the Trail of Blood" (featuring Brendan Schiepatti of Bleeding Through) are baretoothed aggression; meanwhile the floor-stomping, first single "Never Surrender" proves to be aggressively catchy, with its metronome-tight rhythm through the verses, giving way to explosive choruses that is bound to pack dance floors. "Through These Eyes of Pain" takes a much subtler approach. Its echo-y vocal wash and glitchy beats conjure images like a mournful dream, exposing the man inside the monster. Though the moods displayed in Making Monsters are decidedly sinister, LaPlegua manages to portray these emotions in many different guises. Laden with hook heavy choruses, speaker-crushing beats, and LaPlegua's trademark dark, aggressive vocals, this is an album that exudes honesty and the darkness that often comes with it.
Initially cutting his teeth in the seminal Norwegian hardcore bands Fleshfire and Lash Out, LaPlegua segued out of that scene into the electronic music world with Icon of Coil. Originally a solo project, it morphed into a full band with the additions of Sebastian Komor and Christian Lund. Not only did IOC mark LaPlegua's first major work with electronics and dance beats, but it also granted him wider exposure beyond Norway; IOC was LaPlegua's first project to be released in the United States.
It wasn't until 2003 that LaPlegua founded Combichrist - the project that would soon dominate his time. A departure from IOC's futurepop sound, Combichrist took LaPlegua's hardcore past and electronica present and merged them into a singular, mechanical music monster. Without the compromise of the band dynamic, LaPlegua, who does everything in the studio himself on Combichrist releases, was able to explore whatever avenue he desired musically. What he found was a long dark road with plenty of twists and turns. The Joy of Gunz, LaPlegua's first release as Combichrist, was quickly followed by two EP's: 2004's Kiss the Blade and Sex Drogen und Industrial.
In 2005, LaPlegua was back at it again, releasing the landmark album Everybody Hates You. Defying the dreaded sophomore slump, the second Combichrist full-length featured two tracks that would become club classics—"This Shit Will Fuck You Up" and "This Is My Rifle"—and was also the project's U.S. debut on Metropolis Records. Further benchmarks were set with the release of the 2006 EP Get Your Body Beat, the title track of which landed Combichrist its first appearance on Billboard's Top 10 Dance Singles chart.
The years that followed brought on two more full-length albums — What the Fuck Is Wrong with You People? (2007) and Today We Are All Demons (2009) — as well as a handful of additional EPs. On top of Combichrist's many releases, LaPlegua has also logged countless miles, globetrotting on tours of Europe, South America, Australia, the United States and points in-between.
Though Combichrist has kept him busy over the past seven years, LaPlegua has other interests that fill the rare breaks from his main musical project. The Atlanta, GA - based songwriter maintains Panzer AG, a sonic hybrid of Combichrist and Icon of Coil and even plays in a straightforward American rock 'n' roll band, Scandinavian Cock. This affinity for Americana is also displayed in his love for hotrods and motorcycles. On his MySpace page, LaPlegua states, "I'm a Norwegian grease ball, and I'm never afraid to get dirty!"
With Making Monsters, man and beast have combined, evolving beyond the demon it once was and into a greater, bigger and more malevolent force in music. This time, there's no surrender.
Death Rock band formed in October 1979 - Los Angeles, California.
Named as a satirical play on words derived from the designer brand 'Christian Dior', Christian Death was founded by vocalist Rozz Williams, bassist James McGearty, drummer George Belanger, and a guitarist named Jay brought in from a previous band Rozz had been in called Daucus Karota. The group went on hiatus briefly in 1981, but reformed that summer with Rikk Agnew replacing Jay on guitar. Their debut album - the death-rock classic Only Theatre Of Pain was released in March 1982.
Later that year, Agnew and Belanger had left the band and were replaced by Eva O and 'China' respectively. Eva O was soon replaced by Michael Montana, and by the end of the year the band had split once again.
In 1983, Williams formed a new band with members of Pompeii 99, a band that Christian Death had played some shows with just before they had split. This new group consisted of Rozz, Valor (2), Gitane Demone, David Glass & Constance Smith. Rozz wanted to bring back the Daucus Karota name for this new band, but Valor and his European record company convinced him to retain the name Christian Death. This line-up remained more or less constant for a couple of years, although there were some problems during that time that led to stress between the members. These problems came to a head in 1985, when Rozz left the band just before a European tour. Long before the band had recorded or played anywhere as Christian Death, and, just as they had decided to change the name of the band from Pompeii 99 to Christian Death, all members signed a partnership agreement. This made Rozz, David, Gitane and Valor "equal partners" both jointly and severally. The terms of the agreement provided articles which would oblige any member to forfeit their rights in and to the name in the event any member should not fulfil his or her obligations. This is what Rozz did when he left. The version of the band consisting of Valor, Gitane and David Glass relocated to England and continued to record and tour until 1988 when David decided to return to L.A. with his pregnant wife to settle down and be a parent, he signed off accordingly. A settlement agreement was signed, and, later, Gitane did the same. This thereby left Valor as the sole proprietor of the business from 1989 onwards.
Valor continued with numerous session musicians until 1991, when his second wife Maitri joined the project. This new version of the group combined dark heavy metal influences with Valor's classical forays and the Gothic rock for which Christian Death remains best known.
Around this same time, Rozz and Rikk Agnew had begun playing some reunion shows in the US also using the name Christian Death, Rozz also started recording new Christian Death material with his wife (and early C.D. member) Eva O. Valor threatened legal action, claiming that he owned the band name and most of Rozz's material ended up being released under the name Christian Death featuring Rozz Williams. This version of the group came to a close on April 1, 1998 when Rozz Williams committed suicide.
During 2006 various original members of the band including Rikk Agnew, Eva O and James McGearty reunited as Christian Death 1334, however due to copyright infringement issues the group had to change their name to CD 1334. They have since split up.
Valor and Maitri continue to record and tour as Christian Death.
En Esch, a.k.a. Nicklaus Schandelmaier or Klaus Schandelmaier, is a German musician and has been a member of the bands KMFDM, Pigface, and Slick Idiot.
$28.60 ADV $33 DOS
Box Office is open Wednesday-Saturday 12-6pm and All Show Nights, 410-244-0057. Unless otherwise noted Maryland State's 10% Admissions and Amusement Tax is included in the ticket price.
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