Jared & the Mill
740 Water Street SW
Washington, DC, 20024
Doors 6:00 PM / Show 7:00 PM
This event is all ages
Jared & the Mill
We’re Jared & The Mill. We all come from the desert city of Phoenix, Arizona, a home we really love. We’re pretty much always on tour, and the past couple of years we’ve shared the road with one another, other bands, and opened for groups we dig and look up to. We’ve written and released music together and gone from a local band stoked to play anywhere that would have us to a seasoned road dog of a band that somehow still loves the hell out of each other. We’ve gone through thick and thin together, and we’ve been lucky to garner what we think are possibly the best fans a band could ever have. We like to think we make everyone feel welcome and bonded with the people we’ve put them in a room with for the night. Our shows are a rowdy helluva good time that we literally dare you not to enjoy it. Our music has been called a lot of things (lately we’ve been digging ‘western indie rock’) but whatever you call it, we love sharing it with you and hope our songs make you feel like you’re not alone. We’ve been super lucky as an independent band to get as far as we have, and we have a long road ahead. Our new record should be releasing in 2018 and we’re damn proud of it. We hope you come to a show, have a drink, dance with your friends, listen to these tunes and make them a part your life. Thank you from the bottom of our hearts for listening.
We’ll see you out there,
Jared & The Mill.
The Harmaleighs honestly craft poetic, passionate, and powerful songs cut from a pastiche of indie, folk, pop and Americana. In January 2015, The Harmaleighs—Haley Grant [lead vocals, guitar] and Kaylee Jasperson [bass, harmonies]—embarked on something of a modern odyssey in support of their independent, full-length debut, Pretty Picture, Dirty Brush. The band-mates got rid of their Nashville apartment, put everything they owned in a storage unit, bought a van, equipped it with a bed, and hit the road with their 8-month-old pug Gus sleeping on the dash for the next nine months. The trials, tribulations, and triumphs of this trek would ultimately inspire their upcoming EP, Hiraeth, released on May 5.
“Hiraeth is a Welsh word that we stumbled upon while we were on tour,” says Kaylee. “It basically means, ‘Longing for a home.’ It’s a feeling of rootlessness and homesickness that we started to collectively feel around month six. By the end, we had burned out.”
“Even when we visited Nashville, we would be staying in a Walmart parking lot,” sighs Haley. “That’s where the whole concept came from. It’s the basis for this body of work.”
The lead track from the EP is the ethereal “Birds Of A Feather”, which is out now via all digital outlets. “I wrote the song about a friend who was going through a tough time with a relationship ending,” says Haley. “She was explaining to me what exactly was happening and said ‘I’m just convenient for her.’ That specific sentence stuck in my head for a couple weeks and sparked the idea for the entire song.”
The Harmaleighs’ debut LP Pretty Picture, Dirty Brush received accolades from American Songwriter, Songwriter UK and more, and Spotify featured “I Keep Ticking On” on its coveted Folk Pop playlist, amassing millions of streams and counting. The duo spent the bulk of 2016 “working regular jobs and saving up money” for their next musical chapter. They hit the studio with producer Paul Moak [Mat Kearney, Caitlyn Smith] and recorded the six songs on Hiraeth in just one week. As a result of the previous two years, their signature “Indie Americana” sound further solidified.
“Our last record was very folk-pop,” says Kaylee. “At that point, we were going through transitions and really trying to figure out what we wanted to be. When we finished that marathon tour and regrouped, we got the chance to decide who we are as a band. We wanted to utilize more electric instruments and go more indie pop with storytelling at the core. All of Paul’s productions are different. That was the allure of working with him. He helped us step up and define our style. This is really the first time we’re being true to ourselves.”
On “Lady Brain”, delicate electric guitars entwine with Haley’s hypnotic and heavenly delivery before crashing into an unforgettable refrain. “I was watching Orange is The New Black, and in one scene the main character Piper says, ‘Well, I’m going to use my lady brain and think really hard,’” Haley recalls. “I thought it was so fucking funny. I kept it in the back of my head. It’s a bit of a sarcastic song.”
Then, there’s “Mouthful of Cigarettes” which twists and turns through a bluesy lead line until eventually culminating on a powerful proclamation, “I am a fire without any wood.”
“I was sitting at a bar in Portland on month six of our tour,” Haley continues. “There was an ashtray full of cigarettes, and I was having this moral dilemma in my head. I thought, ‘What if I put all of that in my mouth and swallow the burning cigarettes because there are flames and maybe I won’t be burning out anymore?’ I thought it might spark the flame again.”
The flame has been sparked with Hiraeth and their journey really begins now…
• Full dinner and drink menu available