Ripe



On a primal level, we react to music through movement.

A head-nod, a foot-tap, or a handclap certainly shows appreciation, but dancing seals the eternal bond between audience and musician. Siphoning the spirits of rock, funk, R&B, jazz, and pop through a kaleidoscope of unpredictable and virtuosic improvisation, Boston-based seven-piece Ripe consistently bring people to their feet. Most importantly, they prove that “dance music” in its purest form doesn’t have to come from computers and synthesizers. It can be an unstoppable groove or an extended moment of ecstatic release. Like those bodies moving on the floor, it’s the result of the energy, friction, and communication between living and breathing people. An inimitable and indefinable chemistry has separated and singled out Ripe since day one. Subverting any and all standard genre boundaries once again, their latest offering confidently continues that tradition. These seven musical soulmates —Robbie Wulfsohn [vocals], Tory Geismar [guitar], Jon Becker [guitar], Sampson Hellerman [drums], Josh Shpak [trumpet], Calvin Barthel [trombone], and Nadav Shapira [bass]—once again incite listeners to move on their independent full-length debut, Joy In The Wild Unknown.

“What we make is music you can dance to,” affirms Robbie. “We’re drawn to the peak of a song—the emotional catharsis when everything comes out. It’s all about reaching that moment. The revelation comes back to us when bodies shake with joy.”

“Every time we play, something unique happens,” adds Jon. “You’ll never see the same show twice. We want to bring that unexpected element into the pop sphere.”

Ripe brings the swagger of funk filtered through a rock anthem, a musical journey that somehow gets as stuck in your head as your favorite pop banger.

“We’re gap bridgers,” adds Tory. “If you’ve never heard us, I like to describe our music as, ‘If Maroon 5 and Earth, Wind, & Fire had a baby.’”

Formed during their Berklee College of Music days in 2011, the boys have built a rabid fan base through tireless gigging and a steady stream of music. Following 2013’s Produce The Juice EP, the 2015 Hey Hello EP yielded fan favorites like “Brother Sky,” “Talk To The Moon,” and “Goon Squad,” which clocked over 1 million Spotify streams. Averaging over 100K monthly listeners on Spotify, the group landed looks from the likes of WXPN, Huffington Post, Verge Campus, Boston Globe and Hype Machine love from sites like Ear to the Ground and Indie Obsessive. Along the way, they also hit the stage at festivals such as SweetWater, Levitate, The Rock Boat, High Sierra, LaureLive, Brooklyn Comes Alive, Audiotree, and Summer Camp. The common thread would always be the translation of their individual interplay to their audience, one that Ripe views as not just fans, but old and new friends; an extended family that is rapidly growing as their sound spreads and their world deepens.

“The community is so important,” says Robbie. “We’ve got amazing fans who really show up for us. We want to integrate the camaraderie into everything we do. Now, the goal is to communicate our vision to a much wider demographic.”

Joy In The Wild Unknown represents a creative culmination of a six-year journey. The band tapped the talents of producer Cory Wong of Vulfpeck behind the board. Additionally, five-time GRAMMY® Award winner Joe Visciano [Mark Ronson, Adele, Beck, Coldplay] mixed the music, while mastering came courtesy of Randy Merrill [Lady Gaga, Lorde, Imagine Dragons, Taylor Swift].

Over the course of twelve songs, it finds the elusive sweet spot between jaw-dropping technicality and airtight songcraft as Ripe collectively kick off a fresh, focused, and fiery next phase.

“It took us a long time to get to this album,” Sampson admits. “It never felt right to do a full-length until now. Everything finally locked into place. Just prior, we’d been on the road for a year-and-a-half. So much was happening, growing, and changing. It was the moment to make the record.”

“Simultaneously, this was the ending of a lot of things and the start of something new,” adds Robbie. “This serves as our transition from a band that brings the party towards a band that brings an edge to the party.”

Ripe introduced this body of work with the simmering bass line and wild wallop of the single “Little Lighter,” which quickly shuffles into funked-up guitars and a swooning refrain—“I feel a little lighter.”

Meanwhile, finger-picked acoustic guitar and a delicate beat drive “Downward” as everything climaxes on another festival-ready chant, “This love keeps pulling me downward.”

A chorus of horns fuels “Flipside” before Robbie’s dynamic delivery instantly hypnotizes. Throughout the verses, he shares “the crazy miasma of emotional ups and downs with touring.”

Fittingly, the latter spawned the title, Joy In The Wild Unknown.

“Personally, I’m at the point where every day seems a little bit surreal, because I’m doing the thing I want to do more than anything else with my best friends,” smiles Robbie. “Music is what defines us. It’s what we get to put out into the world. I want to share this deep excitement and happiness. The phrase, ‘Joy In The Wild Unknown,’ spoke to all seven of us.”

Ripe gives the same weight to happiness as is often given to sadness. Their music signifies more than just a distraction from your troubles for a few hours - it’s an experience of connection and acceptance; a warm welcome into their world. In the end, this Joy is shared by an ever-growing community that’ll be dancing every time Ripe roll through town. It’s an extension of the bond between these seven.

“If you’ve never seen us, I want you to feel like you’ve stumbled on a real family upon introduction and get excited and curious about how to get deeper into this world,” Robbie leaves off. “It’s been about building this thing since day one. I hope you leave exhausted from dancing and feel excited to be a part of something. If you feel that way after seeing us, we’ve done our jobs.”

Brook and the Bluff



Established in Birmingham, AL, The Brook & The Bluff is a four-man band that consists of frontman Joseph Settine, drummer John Canada, guitarist Alec Bolton and bassist Fred Lankford.

The guys have quickly become recognized for their evocative blend of instrumental talent and vocal harmony. These elements are readily apparent in the band's debut track, “Masks.” Having initially gained momentum via Spotify, the song has helped spur the band forward in their musical pursuits.

The group's first year as a full band has been widely successful. From charting on Spotify's US and Canada Viral 50 Playlists, performing at the NAMM shows in both Nashville and Anaheim, and selling out shows in Atlanta, Birmingham, Huntsville, Nashville and Opelika, the band has had an exhilarating first year.

Originally an acoustic duo, Alec and Joseph started turning heads in local venues with clean vocals and expert guitar work. John noticed the talent and potential of the duo and offered to play drums and sing with the guys. Soon after, he officially joined the group, expanding their sound with driving rhythm and an added voice. The trio instantly locked in and have been playing together ever since. With their new bassist Fred Lankford, The Brook and The Bluff relocated to Nashville in 2018.



Del Florida is a neo-soul tinged, dream pop band based in Washington, D.C. and fronted by vocalist and multi instrumentalist Leela Dawson. Formed in Liverpool, UK, Del Florida cut their teeth in the local club scene and opened for up and coming acts such as Montreal melancholy indie rock group TOPS and San Diego noise pop duo Crocodiles. They have released three singles to date while receiving numerous accolades from blogs like Getintothis, Rock Revolver and Music Manual. They've also performed live on Liverpool's Bay TV. After wearing out her student visa, Dawson returned to D.C. to keep doing what she does best- bringing everyone into the world of Del Florida. In 2016, they supported Warner Bros. Records band Lawrence at U Street Music Hall and Jonny P at Rams Head On Stage in 2017. Most recently, they've shared the stage with The Reign of Kindo & Little Tybee at Ottobar.”

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