Pearl Street Warehouse Presents
33 Pearl St SW
Washington, DC, 20024
Doors 7:00 PM / Show 8:00 PM
This event is 21 and over
Watch & Listen
Raw, soulful, and with plenty of swagger, Town Mountain has earned raves for their hard-driving sound, their in-house songwriting and the honky-tonk edge that permeates their exhilarating live performances, whether in a packed club or at a sold-out festival. The hearty base of Town Mountain's music is the bluegrass triumvirate of Bill Monroe, Lester Flatt and Earl Scruggs. It's what else goes into the mix that brings it all to life both on stage and on record and reflects the group's wide-ranging influences – from the Grateful Dead's Jerry Garcia and the ethereal lyrics of Robert Hunter, to the honest, vintage country of Willie, Waylon and Merle.
Town Mountain features guitarist and vocalist Robert Greer, banjoist Jesse Langlais, mandolinist Phil Barker, fiddler Jack Devereux, and Zach Smith on bass. The Bend Bulletin’s Brian McElhiney says Town Mountain, “has serious country and rock ’n’ roll DNA.”
They released their 5th studio album, Southern Crescent, on April 1, 2016 on LoHi Records and toured throughout the year with it. Produced and engineered by GRAMMY winner Dirk Powell, Southern Crescent was recorded in Powell’s studio The Cypress House in south-central Louisiana town of Breaux Bridge. Since it’s release the band debuted on the Grand Ole Opry and the Ryman Auditorium stages in 2016 bringing their sound to new audiences. Town Mountain returned to the Grand Ole Opry in July 2017! The critically acclaimed album debuted at #4 on the Billboard Bluegrass Chart while staying for ten weeks on the Americana Music Association's radio chart’s Top 40.
“This Asheville band killed it at the Ryman this summer  opening up the bluegrass series and they put out this stellar collection of original songs that asserts them as the hippest, bluest traditional bluegrass band of their generation. In an era of bluegrass with manners, they cut with a serrated edge,” exclaims Nashville’s Roots Radio’s Craig Havighurst in his list of “Essential Americana Albums We Loved in 2016.”
Town Mountain has released five studio albums including their most recent, Southern Crescent (LoHi Records 2016) which was recorded in a decidedly old-school way, live, with minimal fixes and overdubs, with all the musicians in the same room and no noise-reducing baffling between them. The album’s “Songs of escape (‘Ain’t Gonna Worry Me’), reunion (‘Comin’ Back to You’), alienation (‘House with No Windows’), rambling (‘Wildbird’), and gambling (‘Arkansas Gambler’) present a panorama of sentiments and situations adding heft to the bluegrass canon,” according to Raleigh News & Observer’s Jack Bernhardt.
Other efforts include Leave The Bottle (Pinecastle Records 2012), Steady Operator (Pinecastle Records 2011), and Heroes & Heretics (October 2008). They also independently released a LIVE album (2014 from a show at Isis Music Hall in Asheville) as well as a two-song EP (2015) of Grateful Dead tunes called The Dead Sessions. Their debut album (June 2008) is entitled Original Bluegrass and Roots Country and KSUT/Durango Telegraph’s Chris Aaland writes, “No critic has coined a better phrase to describe their sound.”
While the members have taken the road less traveled when it comes to the mainstream or traditional purists, they’ve been dubbed as "The Taco Stand Troubadours” by Aaland (due to their frequent stops at such establishments) and he calls them “one of those bands that has paid its dues and won over the Durango audience through the years, much like the Gourds and Leftover Salmon.
What has become one of the group’s more memorable live performance songs is their cover of Bruce Springsteen’s “I’m On Fire,” which they first recorded in 2008’s Heroes & Heretics, with Greer’s distinctive Southern drawl at the forefront. The track has reached over 2.6 million listens on Spotify and garnered over 1 million views on a YouTube video posted in 2012. The Atlantic’s Matt Vasilogambros writes, “Bruce Springsteen is a natural fit for bluegrass… Even the Boss’s earlier music had hints of folk influences. Just listen to “I’m On Fire”… I keep turning to one cover, which I admittedly listen to more often than the original. It’s from Town Mountain… They dropped the synthesizer, added a banjo, a fiddle, and another singer for harmony, and made a gem.”
Another fan favorite is their Jimmy Martin-esque original “Lawdog,” penned by Barker in 2012, which music journalist Juli Thanki instantly called an “unearthed classic” when the album was released. They recorded a live version of the song at WAMU’s Bluegrass Country Radio in 2013 which has over 110,000 views and continues to be a barn burner to this day with the entire crowd singing along as barker sings, “I make my livin driving, I’m a bluegrass music man… Chasin the horizon, for another one night stand… I got a lot of miles to travel, and I’m runnin a little late… And a no show gets me nothin, so don’t you get in my way. I got no time for ya lawdog…”
“While it remains a bluegrass band in all things instrumentation and touring the bluegrass and festival circuit, it's’ sound crosses into American roots and even outlaw country, perhaps as a result of the gritty, mournful tone of Greer’s vocals.” Durango’s KDUR radio’s DJ, Bryant Liggett says, “It is reminiscent of the 1970s truck-driving film sound, the perfect accompaniment to a car chase through the south á la ‘Smokey and the Bandit.’”
Gina Clowes’ innovative and unique musicianship and songwriting, although based in traditional music modalities, breaks free from the assumed constructs and makes a new musical statement that's influenced by emotion, is played with the highest skill, and expresses an enormous verve and vitality.
With an intent to use the banjo as a medium of personal expression, Clowes moves through varied modes of musical treatments. Although she's known mainly known for her work as the banjo player for Chris Jones and the Night Drivers, she has a long history with her banjo. Born and raised in Front Royal, Virginia, Gina began touring up and down the east coast in her tween years with her siblings, earning countless ribbons from fiddlers conventions, a strong reputation in the regional bluegrass scene, and a stamp from Bluegrass Today as “absurdly talented”. She later played in a number of regional acts (Blue Light Special, New Girls Nite Out, On the Run, Bud’s Collective) and has made her international touring exposure with Chris Jones and the Night Drivers soon after joining the group. She is sought after as a teacher privately and at camps across the country. Her new album, True Colors, was born out of a long held desire to bring her own music to life.
$15.00 - $25.00
This Show is G.A.
Seating is Limited and First Come First Serve
Tables are meant to be shared