The Summer Slaughter Tour
Born of Osiris, Veil of Maya, Erra, The Agony Scene, Allegaeon, Soreption, Entheos, Terror Universal
124 Market Place
Baltimore, Maryland, 21202
Doors 2:00 PM / Show 2:30 PM
This event is all ages
Watch & Listen
Between The Buried And Me
Grandiose, dynamic, heavy, melodic, technically challenging: these are all words that fall equally short when trying to describe Between the Buried and Me's sonic offerings. When tasked with explaining the band's previous effort, The Parallax II: Future Sequence, Decibel Magazine claimed that the album "offers more substance than most bands put forth in entire careers" and Metal Hammer simply stated that it was "utterly captivating." Where does a burgeoning progressive act go from there? The answer is found in their seventh full-length album, Coma Ecliptic. Spanning just over an hour, the album stands as a significant step in the evolution for the group as a whole, as well as the individual musicians: vocalist / keyboardist Tommy Rogers, guitarists Paul Waggoner and Dustie Waring, bassist Dan Briggs, and drummer Blake Richardson.
Tommy Rogers posits: "Coma Ecliptic is a new life for BTBAM. Throughout the process we worked harder than we ever have and really pushed the BTBAM sound to a new identity. In a world of repetition, I'm very proud to be a part of something that is extremely rewarding, as well as frightening. When you don't push yourself you will never know what the outcome is. The outcome is Coma Ecliptic."
What is Coma Ecliptic? It can be interpreted as a modern rock opera, and another ambitious concept album from a band that has completely mastered that format. Dan Briggs comments: "Spending the last year immersed in a world of Quadrophenia, Operation Mindcrime, The Wall- as well as Sondheim and Lloyd Webber musicals, Stravinsky and Mussorgsky symphonic suites; writing an over the top, dramatic and forward thinking rock opera was the most natural thing to do." The story follows the wanderings of an unidentified man, stuck in a coma, as he journeys through his past lives. Each song is its own episode in a modern day, sort of The Twilight Zone-esque fashion. The unidentified man enters each world and is offered a choice: stay, or move on to the next in search of something better, something more "perfect." The man does find his ideal life, but then is offered the ultimate choice of life or death. He chooses life and wakes up to his own actual reality. It's at that moment he realizes that he had been in a coma - everything that happened had been dreams and false memories. After awakening, we find the man outside finally experiencing reality, and he sees what he has been missing: the world is beautiful, the air is fresh, and the people appear to be happy, and then he falls over dead. The take away from this is to make the best of your life. People are constantly searching for something better without taking the time to appreciate the things they have. What we need may already be here, and is hopefully real. We may all be in a coma in another life.
Musically, Coma Ecliptic boasts a series of emotive peaks and valleys that drive the narrative along with the lyrics. Tracks such as "Memory Palace", while sounding wholly unique, clearly have a distinct BTBAM flavor to which fans have grown so attached. "The Coma Machine" brings to mind prog in the most classic sense; think YES and King Crimson passages with the added layer of modern metal heaviness. "Dim Ignition" highlights Rogers' continuing development as a keyboardist, but don't fret, there's still plenty of speed, technically challenging guitar, bass, and drum runs, and quirkiness throughout. What makes these parts work is the interplay of the heavy and technical with the simpler, almost cinematic, soft passages; that is the power of Coma Ecliptic. The listening experience is a journey, and when "Life in Velvet" brings the album to a sudden, triumphant end, fans will surely be reaching for the replay button. But what does the band think? Rogers adds: "If you asked me what this record sounds like, I would tell you BTBAM. With every listen I still find new exciting moments that each member has put into these songs. After all these years we still push each other to try new things and push our individual skills to the next level. It is an absolute thrill to write with such an inspiring group of people." Briggs continues: "Writing with a focus on storytelling and just crushing melodic themes set the tone early on before we were even in the rehearsal room together. Put your velvet capes on and get ready for a journey!"
Coma Ecliptic was recorded in January and February of 2015 with longtime Between the Buried and Me producer Jamie King at the Basement Recordings in North Carolina. Drums and piano were recorded with King and Kris Hilbert at the Fidelitorium. Final mixing and mastering was placed in the capable hands of Jens Bogren (Opeth, Katatonia, Amon Amarth, Devin Townsend) at Fascination Street Studios in Sweden.
Between the Buried and Me began their journey in the year 2000 in North Carolina. Over the past 15 years, they have released seven full-length albums, an EP, a live album, a covers album, and a blu-ray/DVD. Their current lineup has been consistent since 2005, and they have taken full advantage of a stable and productive group of musicians. Each of their albums since that year have debuted on the Billboard Top 200 chart: Alaska (2005) at #121, The Anatomy Of (2006) at #151, Colors (2007) at #57, The Great Misdirect (2009) at #36, The Parallax: Hypersleep Dialogues EP (2011) at #54, and The Parallax: Future Sequence (2012) at #22. Additionally, the band's first-ever Blu-ray release, Future Sequence: Live at the Fidelitorium debuted at #2 on the Billboard Top Music Video Charts, impressively ahead of video releases from progressive legends Dream Theater and YES. Consistency and growth in an epoch of shrinking music sales is indicative of the supreme impact the band has had across the heavy and progressive music landscapes.
Born of Osiris
Veil of Maya
The Chicago based VEIL OF MAYA encompasses the good old American blue collar work ethic and have definitely taken the hard road to success grinding it out on the road through countless tours over the years, but now that backbreaking schedule is paying off tenfold. This quartet are one of the few very bands that can authentically mix elements of progressive metal, melodic death metal, thrash and hardcore brutality together effectively, all while keeping the listener constantly interested with baited breath wondering just what is coming next. This is exactly why they will have a career for years to come.
VEIL OF MAYA's dynamic second full-length album, id, was met with rave reviews and quickly caught the attention of the underground with it's refreshing and unique approach.
ERRA is a progressive Metalcore band from Birmingham, Alabama. Since their formation in 2009, they have self-released 2 EPs, titled ERRA and Andromeda. They went on to sign with Tragic Hero Records and release their debut album Impulse in 2011. Their second album, Augment, which was released 2 years later, reached number 1 on the ARIA heatseekers chart. It was the album that started to see them gain a lot more traction, and consequently was the only other record to be released under the label. After becoming more successful with Augment, ERRA signed with Sumerian Records and released their 3rd EP titled Moments of Clarity. This EP is the first release to not feature unclean vocalist and co-founding member, Garrison Lee. Shortly before the EP was released, ERRA recruited a replacement vocalist, Ian Eubanks to perform on the record and subsequently become the new frontman. After the release of Moments of Clarity - as early as December 2014, guitarist Jesse Cash began working on the next record, their vocalist also started to write lyrics for the album. In August 2015, Ian Eubanks decided to step down as unclean vocalist, stating that he struggled to perform his vocal parts during touring, and that he was no longer able to scream correctly. Consequently, ERRA once again was on the search for another unclean vocalist. The new vocalist JT Cavey (ex Texas in July) was announced through the release of the lead single Luminesce for their upcoming record Drift. The record was released in April 2016, and is the latest release for the band.
Jesse Cash - Guitar/Bass*/Clean Vocals (*on record only)
JT Cavey - Unclean Vocals
Alex Ballew - Drums
Sean Price - Guitar
Garrison Lee - Unclean Vocals (2009-2014)
Ian Eubanks - Unclean Vocals (2014-2015)
Alan Rigdon - Guitar (2008-2014)
Adam Hicks - Bass (2008-2012)
The Agony Scene
Metalcore band, from USA, originally formed in 2000. They broke up and rejoined in 2003 with a slightly different line-up.
Mike Williams - Vocals
Chris Emmons - Guitar
Stewart - Bass
Brian Hodges - Guitar
(As of June 2006, the band is looking for a new drummer)
Brent Masters - Drums
Matthew Shannon - Bass
Johnny Lloyd - Guitar
Steve Kaye - Guitar
American modern melodic death metal band from Denver/Fort Collins, Colorado. Originally founded in 2005 as Allegiance. Their name was changed sometime in 2008.
Formed in 2005, "SOREPTION unleash their surgically precise and unique, razorsharp voilence with technically and artistically advanced riffs topped off with in-your-face brutal vocals, leaving the listener nothing short of stunned and ready to bow down to the mature display of how death metal should be played," according to a press release.
Technical/progressive death metal band based in the US.
$29.50 ADV $35 DOS
Tickets Available at the Door
General admission, standing room only. Box Office is open Wednesday-Saturday 12-6pm and All Show Nights, 410-244-0057. Unless otherwise noted Maryland State's 10% Admissions and Amusement Tax is included in the ticket price