Egyptian Lover

Egyptian Lover

One of the most innovative producers of the old-school/electro era, Egyptian Lover's Greg Broussard recorded a parade of singles during the mid-'80s that proved influential for decades. Influenced himself by Kraftwerk/hip-hop soundclashes like Afrika Bambaataa's "Planet Rock" and Man Parrish's "Hip-Hop Be Bop (Don't Stop)," as well as the extroverted black-lover soul of Prince and Zapp, Broussard began recording from his Los Angeles base in 1983. One year later, he emerged with the breakdancing anthem "Egypt, Egypt," released on the Freak Beat label. Similar to excellent tracks being produced all over America -- from Detroit (Cybotron) to New York (Mantronix) -- "Egypt, Egypt" and successors "What Is a DJ If He Can't Scratch," "And My Beat Goes Boom," and "Computer Love (Sweet Dreams)" spent much time in DJ crates during the '80s and '90s. Broussard also released several LPs from the mid-'80s through the '90s, highlighted by 1984's On the Nile (practically a greatest-hits compilation), 1986's One Track Mind, and 1994's Back from the Tomb. He returned in 2006 with Platinum Pyramids, continued to perform live -- including dates with M.I.A. -- produced a track for Rye Rye, and, in 2015, released the long in the works 1984.

Peanut Butter Wolf

Chris Manak first started buying records in San Jose, CA in 1979 at age 9. It was mainly soul/funk 45s by artists like Cameo, the Gap Band, and Rick James. By the mid 80's, he was DJing and making his own beats for MCs and a few years later, he met 16-year-old rapper Charizma and they soon signed with Hollywood Records. In December 1993, the world lost Charizma to gun violence. Wolf took a break.

"Making beats" eventually became therapy for the next few years and in 1996, he started Stones Throw Records out of his bedroom as a vinyl-only record label that catered to DJs. His own album My Vinyl Weighs A Ton, was the most successful release of the label's early years. In 2001, Wolf moved to Los Angeles, bringing hip hop artist Madlib along with him, who became the center of the label for many years. When Madlib made Quasimoto's The Unseen, Stones Throw saw a turning point and defied more conventions with each year.

With artists as varied as Dam-Funk and Anika, Stones Throw grew a reputation for its left-field style, while Madvillain and J Dilla's Donuts, cemented their status in hip hop. As the founder of Stones Throw, Wolf has also curated albums for Adult Swim, 2K Sports, Serato, and Urban Outfitters. He has also discovered Mayer Hawthorne and Aloe Blacc, encouraging both artists who were rappers at the time to become singers.

After three decades of vinyl DJing, PBW now prefers A/V sets, playing music videos pulled from his personal collection of rare VHS, DVD, laser disc, beta, etc.

Peanut Butter Wolf the label founder still enjoys a DJ career that has taken him around the world since 1992. Whether it's a private dinner party for Bill Clinton, a string of dates with the Beastie Boys, Gwen Stefani's birthday party, or his own high school reunion, Wolf is equally at home behind the turntables.

A documentary on the life of PB Wolf and his label Stones Throw, Our Vinyl Weighs A Ton, is now playing at film festivals, focusing on the path of Chris and the record label he created nearly 20 years ago.

Diamond Ortiz

MoFunk recording artist/producer Jeremy Diamon-Ortiz brings the FUNK. Sick old school dance track grooves feat. synth bass, vocoder and jeremy's vocals

$22.00 - $25.00

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